{"id":11440,"date":"2021-09-15T16:00:07","date_gmt":"2021-09-15T13:00:07","guid":{"rendered":"https:\/\/www.hepsiburada.com\/hayatburada\/?p=11440"},"modified":"2021-09-15T16:00:07","modified_gmt":"2021-09-15T13:00:07","slug":"turkiyede-klasiklesen-opera-ve-bale-temsilleri","status":"publish","type":"post","link":"https:\/\/www.hepsiburada.com\/hayatburada\/turkiyede-klasiklesen-opera-ve-bale-temsilleri\/","title":{"rendered":"T\u00fcrkiye\u2019de klasikle\u015fen opera ve bale temsilleri"},"content":{"rendered":"

Opera ve bale,<\/strong> sahne ve g\u00f6steri sanatlar\u0131n\u0131n bir\u00e7ok \u00f6\u011fesini b\u00fcnyesinde bar\u0131nd\u0131ran bir sanat dal\u0131d\u0131r. Drama, m\u00fczik, dans gibi sanat dallar\u0131 opera ve bale<\/strong> i\u00e7inde yo\u011frularak bir b\u00fct\u00fcn halini al\u0131r ve sahnedeki devinime katk\u0131da bulunurlar. 16. y\u00fcz y\u0131ldan bu yana ba\u015fta Avrupa olmak \u00fczere d\u00fcnyan\u0131n bir\u00e7ok yerinde geli\u015fim g\u00f6stermi\u015f olan bu iki sahne sanat\u0131, \u00e7a\u011fda\u015f toplumun alt yap\u0131s\u0131n\u0131n olu\u015fumunu b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkilemi\u015f, T\u00fcrkiye\u2019de 18. y\u00fcz y\u0131l\u0131n sonlar\u0131na do\u011fru kendini g\u00f6stermi\u015f olmas\u0131na ra\u011fmen h\u0131zl\u0131 bir geli\u015fim s\u00fcreci ge\u00e7irerek g\u00fcn\u00fcm\u00fczde kendi kitlesini olu\u015fturmay\u0131 ba\u015farm\u0131\u015ft\u0131r.<\/p>\n

Opera ve balenin d\u00fcnya \u00fczerinde etkisini g\u00fc\u00e7lendiren ve geni\u015f kitlelere ula\u015fmas\u0131n\u0131 sa\u011flayan d\u00fcnyan\u0131n en \u00fcnl\u00fc g\u00f6sterileri, bug\u00fcn T\u00fcrkiye\u2019de de sahneleniyor. \u0130lk kez sahneye koyulduklar\u0131 zaman as\u0131rlar \u00f6ncesine dayansa da eserlerin m\u00fczikleri \u00a0ve performanslar bug\u00fcn sahne sanat\u0131n\u0131n \u00f6nemli bir b\u00f6l\u00fcm\u00fcn\u00fc olu\u015fturmaya devam ediyor. \u00dcnl\u00fc bestecilerin kaleminden \u00e7\u0131kan ve y\u00fczy\u0131llard\u0131r ayn\u0131 heyecan ve tutkuyla T\u00fcrkiye\u2019de s\u0131k s\u0131k sahnelenen klasikle\u015fmi\u015f opera ve bale<\/strong> eserlerini sizin i\u00e7in derledik.<\/p>\n

Ku\u011fu G\u00f6l\u00fc<\/strong><\/h4>\n

\"opera<\/p>\n

Ku\u015fkusuz ki opera ve bale<\/strong> denince akla ilk gelen eser Ku\u011fu G\u00f6l\u00fc\u2019d\u00fcr. 1877 y\u0131l\u0131nda ilk kez Moskova\u2019da sergilenen Ku\u011fu G\u00f6l\u00fc, d\u00f6rt perdelik g\u00f6sterisiyle t\u00fcm d\u00fcnyada ad\u0131n\u0131 duyurmay\u0131 ba\u015farm\u0131\u015ft\u0131r. Ancak hemen de\u011fil\u2026 Zira ilk kez sergilendi\u011finde oyun be\u011fenilmemi\u015ftir. Eserin m\u00fcziklerine imzas\u0131n\u0131 atan \u00c7aykovski ise bu ba\u015far\u0131s\u0131zl\u0131ktan dolay\u0131 kendini sorumlu tutarak 12 y\u0131l boyunca ba\u015fka bale eseri bestelememi\u015ftir. Ancak daha sonra yeniden koreografiler yap\u0131larak sergilenmi\u015f ve y\u0131llar boyu ak\u0131llara kaz\u0131nacak bir g\u00f6steriye imza atm\u0131\u015ft\u0131r.<\/p>\n

Eserin konusu ise \u015fu \u015fekildedir; bir b\u00fcy\u00fcc\u00fc taraf\u0131ndan arkada\u015flar\u0131 ile birlikte ku\u011fuya d\u00f6n\u00fc\u015ft\u00fcr\u00fclen ve ancak bir erke\u011fin a\u015fk\u0131 ile tekrar insan k\u0131l\u0131\u011f\u0131na d\u00f6n\u00fc\u015febilecek olan Odette ile Prens Siegfried aras\u0131ndaki a\u015fk anlat\u0131l\u0131r. Eserde b\u00fcy\u00fcc\u00fcn\u00fcn, k\u0131z\u0131 Odil, prenses Odette k\u0131l\u0131\u011f\u0131na girerek prensi kand\u0131rmaya \u00e7al\u0131\u015facakt\u0131r. Eserin \u00f6zellikle g\u00f6l k\u0131y\u0131s\u0131nda ge\u00e7en sahneler i\u00e7in d\u00fczenlenen m\u00fczikleri y\u0131llar i\u00e7erisinde k\u00fclt halin gelmi\u015ftir.<\/p>\n

F\u0131nd\u0131kk\u0131ran<\/strong><\/h4>\n

Bale g\u00f6sterileri d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fc zaman akla gelen ikinci isim F\u0131nd\u0131kk\u0131ran\u2019d\u0131r. \u00c7aykovski\u2019nin son besteledi\u011fi bale olmas\u0131 m\u0131 yoksa muazzam konusu mu onu bu kadar pop\u00fcler yapm\u0131\u015ft\u0131r bilinmez ama izleyicilerin \u00fczerindeki etkisi b\u00fcy\u00fckt\u00fcr. Eserin konusu, k\u00fc\u00e7\u00fck Alman k\u0131z Clara Stahlbaum\u2019un yeni y\u0131l hediyesi olarak ald\u0131\u011f\u0131 f\u0131nd\u0131kk\u0131ran oyunca\u011f\u0131yla ilgidir.<\/p>\n

Oyuncakla ilgili \u00e7e\u015fitli r\u00fcyalara dalan minik k\u0131z, b\u00fcy\u00fc-masal tarz\u0131 bir d\u00fcnyan\u0131n kap\u0131lar\u0131n\u0131 aralar. \u0130lk sahnelenme tarihi 1892\u2019ye uzanan bu eserin en \u00f6nemli \u00f6zelli\u011fi ise yeni y\u0131l kutlamalar\u0131yla \u00f6zde\u015flemi\u015f olmas\u0131d\u0131r. Halen, en \u00fcnl\u00fc bale g\u00f6sterileri aras\u0131nda yer alan F\u0131nd\u0131kk\u0131ran olduk\u00e7a e\u011flenceli bir oyundur.<\/p>\n

Uyuyan G\u00fczel<\/strong><\/h4>\n

\"\"<\/p>\n

Klasik bale t\u00fcr\u00fcn\u00fcn en \u00f6nemli eseri olarak kabul edilen Uyuyan G\u00fczel, \u00c7aykovski\u2019nin m\u00fczi\u011fi, Marius Petipa\u2019n\u0131n koreografisi ve Mariinsky toplulu\u011funun dans\u00e7\u0131lar\u0131n\u0131 bir araya getiren \u00e7ok \u00f6zel bir g\u00f6steridir. \u0130lk kez 1890 y\u0131l\u0131nda St. Petersburg\u2019da sahnelenen ve en kusursuz bale g\u00f6sterisi olarak dikkat \u00e7eken eser, as\u0131l \u015f\u00f6hretine ise 19\u2019uncu y\u00fczy\u0131lda kavu\u015fmu\u015ftur. Bu eser i\u00e7in konservatuarda bir\u00e7ok inceleme yaz\u0131s\u0131 haz\u0131rland\u0131\u011f\u0131n\u0131, tezlere konu oldu\u011funu not d\u00fc\u015felim.<\/p>\n

D\u00fcnyan\u0131n en \u00fcnl\u00fc opera ve bale<\/strong> g\u00f6sterileri aras\u0131nda yer alan Uyuyan G\u00fczel\u2019in hikayesi g\u00fc\u00e7l\u00fc bir h\u00fck\u00fcmdar\u0131n k\u0131z\u0131n\u0131n do\u011fum g\u00fcn\u00fcn\u00fc kutlamak i\u00e7in perilerin de davetli oldu\u011fu b\u00fcy\u00fck bir partide ge\u00e7mektedir. Periler s\u0131rayla bebek prensese g\u00fczellik, sa\u011fl\u0131k, m\u00fczik yetene\u011fi gibi hediyeler vermi\u015ftir. K\u00f6t\u00fc kalpli peri ise bebe\u011fi lanetlemi\u015ftir. Prenses 16 ya\u015f\u0131na geldi\u011finde eline batacak bir i\u011fne ile \u00f6lecektir.<\/p>\n

Bale g\u00f6sterisi Uyuyan G\u00fczel\u2019de konuklar aras\u0131ndan iyi kalpli bir ba\u015fka peri ortaya \u00e7\u0131kar ve laneti hafifletir. Prenses \u00f6lmeyecektir ancak uykuya dalacakt\u0131r. Kral, k\u0131z\u0131n\u0131 korumak i\u00e7in \u00fclkedeki t\u00fcm sivri u\u00e7lu i\u011fneleri toplat\u0131r ve i\u011fne kullanmay\u0131 yasaklar. Ancak yine de prenses 16 ya\u015f\u0131na geldi\u011finde k\u00f6t\u00fc kalpli peri bir \u015fekilde k\u0131za ula\u015farak onu uyutur. Y\u00fcz y\u0131l sonra ise bir prens uyuyan g\u00fczeli \u00f6per ve onu uyand\u0131r\u0131r.<\/p>\n

G\u0131selle<\/strong><\/h4>\n

En romantik balelerden biri say\u0131lan Giselle, listemize son anda girmi\u015f gibi g\u00f6z\u00fckse de bir ba\u015fyap\u0131tt\u0131r. \u0130lk defa 1841\u2019de Paris\u2019te sahneye konan balenin orijinal koreografisi Jean Coralli ve Jules Perrot\u2019a aittir. G\u00fcn\u00fcm\u00fczde bizlerin izledi\u011fi versiyon ise Petipa taraf\u0131ndan Kraliyet Balesi ad\u0131na ortaya konmu\u015ftur. Bestesi ise Adolpe Adam\u2019a aittir.<\/p>\n

Eser, \u00e7ift\u00e7i k\u0131z\u0131 Giselle ile asilzade Albrecht aras\u0131ndaki a\u015fk\u0131 ve talihsiz sonucunu ele almaktad\u0131r. Kendini \u00e7ift\u00e7i olarak tan\u0131tan Albrecht, a\u015fklar\u0131n\u0131 evlilikle ta\u00e7land\u0131rmak ister, fakat Hilarion\u2019un ara\u015ft\u0131rma iste\u011fi Albrecht\u2019in aslen kim oldu\u011funu ortaya \u00e7\u0131kart\u0131r. Zay\u0131f kalbinin bu ger\u00e7ekle y\u00fczle\u015fmeye dayanamamas\u0131 \u00fczerine Giselle \u00fcz\u00fcnt\u00fcden hayata veda eder.<\/p>\n

\u0130kinci perde ise bamba\u015fka ilerler, Hilarion mezarl\u0131\u011fa gitti\u011finde Wilis ad\u0131 verilen \u00f6l\u00fc kad\u0131nlar\u0131n ruhlar\u0131 ile sarmalan\u0131r ve onlar taraf\u0131ndan \u00f6ld\u00fcr\u00fcl\u00fcr. Albrecht gitti\u011finde de ayn\u0131 tehlike alt\u0131nda kal\u0131r, fakat Giselle\u2019in ruhu onun hayat\u0131n\u0131 kurtar\u0131r. Tam manas\u0131yla bir duygu seli yaratmas\u0131yla nam salan bale, izleyicilerini romantizmin doruklar\u0131nda gezdirmeye y\u00fczy\u0131llard\u0131r devam ediyor.<\/p>\n

Romeo ve Jul\u0131et<\/strong><\/h4>\n

\"\"<\/p>\n

Romeo ve Juliet, William Shakespeare\u2019in oyunundan konusunu alan, Sergey Prokofyev\u2019in 1935 y\u0131l\u0131nda besteledi\u011fi bale m\u00fczikalidir. Romantik bir m\u00fczik olan bu eser, hem bale hem de klasik m\u00fczik repertuvarlar\u0131na girmi\u015ftir. Balenin ilk koreografisi Leonid Lavrosky taraf\u0131ndan ortaya konmu\u015f, daha sonra ise say\u0131s\u0131z farkl\u0131 koreografi ile sahnelenmi\u015ftir.<\/p>\n

Eser, 1917 Devrimi\u2019nden sonra \u00fclkeden ayr\u0131lan Prokofyev\u2019in geri d\u00f6nd\u00fc\u011f\u00fcnde Bol\u015foy Balesi\u2019nin sipari\u015fi \u00fczerine bestelenmi\u015ftir. Ortaya \u00e7\u0131kan sonu\u00e7, bestecinin di\u011fer eserlerinin aksine politik de\u011fildir. Tamamland\u0131\u011f\u0131nda ise sanat\u00e7\u0131 eserini opera ve bale<\/strong> tiyatrolar\u0131na kabul ettirmekte zorlanm\u0131\u015ft\u0131r ve ilk kez 1938 y\u0131l\u0131nda \u00c7ekoslavakya\u2019da sahneye konmu\u015ftur. 1940\u2019ta ise Leningrad\u2019da Kirov Tiyatrosu\u2019nda seyircisiyle bulu\u015fan bale, Bol\u015foy Tiyatrosu\u2019nda ilk defa 1946\u2019da sahnelenmi\u015ftir. Biraz ge\u00e7 gelen bir \u015f\u00f6hreti olsa da, hak etti\u011fi ilgiyi sonradan yakalayan balenin g\u00fcn\u00fcm\u00fcz halini Prokofyev\u2019in g\u00f6rmesini \u00e7ok isterdik…<\/p>\n

Madame Butterfly<\/strong><\/h4>\n

Amerikal\u0131 yazar Luther Long\u2019un 1898 y\u0131l\u0131nda yazd\u0131\u011f\u0131 Madam Butterfly adl\u0131 k\u0131sa \u00f6yk\u00fcs\u00fcn\u00fc, ABD\u2019li oyun yazar\u0131 David Belasco tiyatro sahnesine uyarlay\u0131p 1900\u2019de New York\u2019ta ilk kez sahneler. Oyun, ayn\u0131 y\u0131l Haziran ay\u0131nda Londra\u2019da oynand\u0131\u011f\u0131nda Giacomo Puccini\u2019de izleyiciler aras\u0131ndad\u0131r, \u00e7ok etkilenir ve 1904 y\u0131l\u0131nda Madam Butterfly Operas\u0131\u2019n\u0131 besteler.<\/p>\n

Ancak sonras\u0131nda hikayenin ger\u00e7ek mi yoksa uydurma m\u0131 oldu\u011fu konusunda pek \u00e7ok soru ortaya at\u0131l\u0131r. Luther Long, Japonya\u2019da misyoner olarak bulunmu\u015f k\u0131z karde\u015fi Jeanne\u2019den, bat\u0131l\u0131 a\u015f\u0131\u011f\u0131 taraf\u0131ndan terk edilmi\u015f bir \u00e7ayevinde \u00e7al\u0131\u015fan fakir bir gey\u015fan\u0131n \u00f6yk\u00fcs\u00fcn\u00fc dinleyerek bu \u00f6yk\u00fcy\u00fc yazsa da, elbette kurgusal yan\u0131 da olan bir \u00f6yk\u00fcd\u00fcr. Zaten 1931 y\u0131l\u0131nda Jeanne ile yap\u0131lan bir dizi r\u00f6portaj Japonya bas\u0131n\u0131nda \u201cGer\u00e7ek Madam Butterfly\u201d ad\u0131yla yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n

Bu dokunakl\u0131 \u00f6yk\u00fcde, Amerikal\u0131 Subay Pinkerton 1891 y\u0131l\u0131nda geldi\u011fi Nagasaki\u2019de 15 ya\u015f\u0131nda olan Madame Butterfly yani Ci\u00f2 Ci\u00f2 San ile tan\u0131\u015f\u0131r, ona a\u015f\u0131k olur. Pinkerton\u2019un vaat ettikleriyle umuda kap\u0131lan Butterfly, evlilik t\u00f6reni yapar, kendisini Amerikal\u0131 olarak takdim etmeye ba\u015flar, dinini dahi de\u011fi\u015ftirir. Ancak Pinterkon Amerika\u2019ya d\u00f6ner. Bu arada hamile olan Butterfly, sab\u0131rla Pinkerton\u2019u bekler. Amerika\u2019da yeniden evlenen Pinkerton, Nagasaki\u2019ye Butterfly\u2019\u0131n yan\u0131na \u00fc\u00e7 ya\u015f\u0131na gelen o\u011flunu almak i\u00e7in geri d\u00f6ner. Sevgilisinin kendisine yapt\u0131\u011f\u0131 ihanet kar\u015f\u0131s\u0131nda Butterfly, ailesinden kalma geleneksel han\u00e7er ile intihar eder.<\/p>\n

 <\/p>\n

\"opera<\/p>\n

Bu opera i\u00e7in bestelenmi\u015f eserleri, Herbert Von Karajan y\u00f6netimindeki Herbert Von Karajan – Puccini: Madame Butterfly<\/a> alb\u00fcm\u00fcnden dinleyebilirsiniz.<\/p>\n

Carmen<\/strong><\/h4>\n

\"opera<\/p>\n

Carmen, operada ger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n \u00e7a\u011fda\u015f ya\u015fam\u0131n s\u0131radan insanlar aras\u0131ndaki g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc yans\u0131tmaya \u00e7al\u0131\u015fan t\u00fcr\u00fcn ilk eserlerinden biri olarak kabul edilir. Frans\u0131z yazar Prosper M\u00e9rim\u00e9e\u2019nin bir hikayesinden al\u0131n\u0131r, \u0130spanya\u2019da ge\u00e7en hikaye Henri Meilhac ve Ludovic Hal\u00e9vy taraf\u0131ndan opera metni \u015feklinde d\u00fczenlenir, romantik d\u00f6nem bestecilerinin en \u00f6nemlilerinden biri olan Georges Bizet taraf\u0131ndan 1874 y\u0131l\u0131nda bestelenir.<\/p>\n

G\u00fcn\u00fcm\u00fczde de d\u00fcnyan\u0131n en \u00e7ok sahnelenen ve en \u00e7ok sevilen operalar\u0131n\u0131n ba\u015f\u0131nda gelir. Orijinali edebi bir eser olmas\u0131na ra\u011fmen George Bizet\u2019in m\u00fczikleriyle m\u00fczik d\u00fcnyas\u0131n\u0131n unutulmazlar\u0131 aras\u0131na girmi\u015f, farkl\u0131 sanat disiplinlerine de esin kayna\u011f\u0131 olmu\u015ftur. Paris\u2019te 1875\u2019te sahnelendi\u011finde yerle\u015fik opera ve ahlak anlay\u0131\u015f\u0131n\u0131n ihlali gibi alg\u0131land\u0131\u011f\u0131ndan olumsuz tepkilerle kar\u015f\u0131lanan eser, sonralar\u0131 \u00e7ok sevilmi\u015ftir.<\/p>\n

D\u00f6rt perde olan Carmen\u2019de, Don Jose adl\u0131 bir muhaf\u0131z \u00e7avu\u015fu, bir t\u00fct\u00fcn fabrikas\u0131nda i\u015f\u00e7i olan Carmen ad\u0131nda bir \u00e7ingene k\u0131z\u0131na a\u015f\u0131k olur. Herkesin akl\u0131n\u0131 kolayca ba\u015f\u0131ndan alan Carmen, sevgilisini sayg\u0131n hayat\u0131ndan kopar\u0131p kendisiyle beraber da\u011flarda ya\u015famaya ikna eder. Fakat bir s\u00fcre sonra Carmen\u2019in a\u015fk\u0131 biter ve hayat\u0131na yeni biri girer. Don Jose\u2019nin ise bunca \u015feyi g\u00f6ze ald\u0131\u011f\u0131 kad\u0131n\u0131 kolayca b\u0131rakmaya hi\u00e7 niyeti yoktur\u2026<\/p>\n

La Boheme<\/strong><\/h4>\n

\u0130talyan ger\u00e7ek\u00e7i operas\u0131n\u0131n en \u00f6nemli temsilcilerinden olan Giacomo Puccini\u2019nin en \u00fcst\u00fcn eseri d\u00f6rt perdelik La Boh\u00e8me operas\u0131, Frans\u0131z yazar\u0131 Henry Murger\u2019in Bohem Hayat\u0131ndan Se\u00e7meler adl\u0131 eserinden esinlenerek, \u0130talyan Giuseppe Giacosa ve Luigi Illica taraf\u0131ndan yaz\u0131l\u0131r. Henry Muger\u2019nin s\u00f6z konusu eseri, Paris\u2019in de\u011fi\u015fik sanat \u00e7evreleriyle ilgili hayat\u0131, zarif ve ince bir anlat\u0131mla yans\u0131tarak Parisli \u00f6\u011frencilerle \u015fairlerin, sanat\u00e7\u0131 ve sanatseverlerin bohem hayatlar\u0131n\u0131 ola\u011fan\u00fcst\u00fc \u00e7ekicilikte bir \u00fcslupla dile getirir.<\/p>\n

19. ve 20. y\u00fczy\u0131l opera ve bale<\/strong> d\u00fcnyas\u0131na damgas\u0131n\u0131 vuran Giacomo Puccini\u2019nin m\u00fczi\u011fi ve d\u00f6nemin \u00fcnl\u00fc yazar\u0131 Henri Murger\u2019in unutulmaz a\u015fk hikayesini anlatan La Boh\u00e9me, 1830\u2019lar\u0131n Paris\u2019inde bir diki\u015f\u00e7i kad\u0131n olan Mimi ile \u015fair Rodolfo aras\u0131ndaki a\u015fk\u0131 anlat\u0131r. Birbirlerine ilk g\u00f6r\u00fc\u015fte a\u00e7\u0131k olan bu \u00e7iftin a\u015fk\u0131 \u00e7ok b\u00fcy\u00fckt\u00fcr. Rodolfo Mimi\u2019yi terk eder, \u00e7\u00fcnk\u00fc Mimi\u2019nin di\u011fer erkeklerle fl\u00f6rt etmesini k\u0131skanmaktad\u0131r. Lakin Mimi veremdir ve \u00f6lmek \u00fczeredir. Rodolfo birlikte ya\u015farken fakir ya\u015fam \u015fartlar\u0131n\u0131n Mimi\u2019nin sa\u011fl\u0131\u011f\u0131n\u0131 daha da k\u00f6t\u00fcle\u015ftirdi\u011fini bilerek vicdan azab\u0131 \u00e7ekmektedir. Sonunda Mimi \u00f6lmeden \u00f6nce k\u0131sa bir m\u00fcddet i\u00e7in tekrar bir araya gelirler.<\/p>\n

Figaro\u2019nun D\u00fc\u011f\u00fcn\u00fc<\/strong><\/h4>\n

\"\"<\/p>\n

Frans\u0131z yazar Beaumarchais\u2019nin oyunu Figaro\u2019nun D\u00fc\u011f\u00fcn\u00fc \u00fc\u00e7lemesinin ikinci b\u00f6l\u00fcm\u00fc, bu operaya esin kayna\u011f\u0131 olmu\u015ftur. Figaronun D\u00fc\u011f\u00fcn\u00fc i\u00e7in, tarih boyu yaz\u0131lm\u0131\u015f en g\u00fcl\u00fcn\u00e7 ve ak\u0131c\u0131 opera oldu\u011fu s\u00f6ylenir. D\u00f6rt perdelik opera buffa olan (komik opera, m\u00fczikli komedi, hatta \u015faka operas\u0131 bile denilebilir) Figaro\u2019nun D\u00fc\u011f\u00fcn\u00fc\u2019nde, zeki bir metin \u00fcst\u00fcne k\u00f6p\u00fck gibi zarif bir m\u00fczik yerle\u015fmi\u015ftir.<\/p>\n

Figaro ve Susanna evlenmek \u00fczeredirler, ancak evinde hizmet\u00e7i olarak \u00e7al\u0131\u015ft\u0131klar\u0131 Kont Almaviva\u2019n\u0131n eski bir feodal gelenek olan \u201cHizmet\u00e7inin evlenece\u011fi kad\u0131n ilk gece ev sahibinin yata\u011f\u0131ndan ge\u00e7er\u201d gelene\u011fini uygulamay\u0131 planl\u0131yor olmas\u0131ndan korkuyorlard\u0131r. Figaro, Susanna ve kocas\u0131n\u0131n sadakatsizli\u011finden \u015fikayet eden Kontes birlik olup Kont\u2019a bir oyun \u00e7evirmeye karar verirler.<\/p>\n

\"\"<\/p>\n

B\u00fct\u00fcn bu klasikle\u015fen temsilleri evinizde \u201cSamsung 152 Ekran Smart LED TV<\/a>\u201d ile keyifle izleyebilirsiniz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Opera ve bale, sahne ve g\u00f6steri sanatlar\u0131n\u0131n bir\u00e7ok \u00f6\u011fesini b\u00fcnyesinde bar\u0131nd\u0131ran bir sanat dal\u0131d\u0131r. Drama, m\u00fczik, dans gibi sanat dallar\u0131 […]<\/p>\n","protected":false},"author":10,"featured_media":11441,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":["post-11440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eglence-kultur"],"yoast_head":"\nT\u00fcrkiye\u2019de klasikle\u015fen opera ve bale temsilleri - Hayatburada<\/title>\n<meta name=\"description\" content=\"\u00dcnl\u00fc bestecilerin kaleminden \u00e7\u0131kan ve y\u00fczy\u0131llard\u0131r ayn\u0131 heyecanla T\u00fcrkiye\u2019de s\u0131k s\u0131k sahnelenen klasikle\u015fmi\u015f opera ve bale eserlerini sizin i\u00e7in derledik.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hepsiburada.com\/hayatburada\/turkiyede-klasiklesen-opera-ve-bale-temsilleri\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00fcrkiye\u2019de klasikle\u015fen opera ve bale temsilleri\" \/>\n<meta property=\"og:description\" content=\"Opera ve bale, sahne ve g\u00f6steri sanatlar\u0131n\u0131n bir\u00e7ok \u00f6\u011fesini b\u00fcnyesinde bar\u0131nd\u0131ran bir sanat dal\u0131d\u0131r. 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